Originally posted by ScriabinThere must be something going on in that politician's brain wired for filibuster that the rest of us are missing, because we're all really stupid here.
No one apparently is bright enough to have glommed onto the fact that there is a central theme common to all these films. they are all about the same thing.
But that sort of realization escapes the folks here.
why am I not surprised.
1. Au hasard Balthazar (1966) Bresson
2. Gertrud (1964) Dreyer
3. Vertigo (1959) Hitchcock
4. Hiroshima mon amour (1959) Resnais
5. Taxi driver (1976) Scorcese
6. The Eclipse (1962) Antonioni
7. Journey to Italy (1954) Rossellini
8. Heat (1995) Mann
9. Tristana (1970) Bunuel
10. Two-Lane Blacktop (1971) Hellman
11. Home from the Hill (1959) Minnelli
12. Aguirre (1972) Herzog
13. The American Friend (1977) Wenders
14. Le mépris (1963) Godard
15. L’hypothèse du tableau volé (1978) Ruiz
16. To be or not to be (1942) Lubitsch
17. Hitler: A Film from Germany (1977) Syberberg
18. Legend of Bailiff Sansho (1954) Mizoguchi
19. Moloch (1999) Sokurov
20. Sombre (1998) Grandrieux
Originally posted by HfrMine antipersoI'm copying this one down, some foreign films I've not seen.
1. Au hasard Balthazar (1966) Bresson
2. Gertrud (1964) Dreyer
3. Vertigo (1959) Hitchcock
4. Hiroshima mon amour (1959) Resnais
5. Taxi driver (1976) Scorcese
6. The Eclipse (1962) Antonioni
7. Journey to Italy (1954) Rossellini
8. Heat (1995) Mann
9. Tristana (1970) Bunuel
10. Two-Lane Blacktop (1971) Hellman
11. Home from the Hill (195 ...[text shortened]... gend of Bailiff Sansho (1954) Mizoguchi
19. Moloch (1999) Sokurov
20. Sombre (1998) Grandrieux
Aguirre was great, but To Be or Not to Be? -- I've seen that and wouldn't rate it so highly.