29 Dec '09 23:18>
Originally posted by black beetleI am not sure what Ouaknin says about these sephirot as a triad in his book on QBLH (which I have, but is really only an introductory work). I also cannot say anything about Trikaya, since I have not looked at it (except for some of your posts).
I bow; let's dance🙂
What do you and your rabbi think regarding Keter-Tiphereth-Yesod? Is this triangle relevant to the Trikaya and to the Christian Trinity?
😵
I do not see those spehirot as a “trinity” at all, but a moving “fulcrum” (and including da’at), dynamically balancing the left and right sides (as a dancer balances even as she moves). Yesod embodies the final “balance in tension” before release to generate malchut, from which the oscillation begins again (malchut of one world becomes keter of the next?).
But each generated malchut is new. Four worlds as a useful analytical device, but—worlds in worlds in worlds! The pattern is not so fixed as to deny novelty (one might say that Epicurus’ “atomic swerve”, metaphorically, is involved in each new oscillation).
The point is not to stand still in balance, but to oscillate—to dance—in balance. (Sabbath (Shabbos) is a kind of tztimtzum in time, in which to re-gather energy to dance once again.)
And the new beginning of the dance always involves a new shevirah ha’kelim, a new shattering of the vessels. I am reformulating the whole Lurianic doctrine based on the oscillation of shevirah and tikkun… (along the lines of Ouaknin’s analysis of Rebbe Nachman).