Originally posted by Palynka
And?
This forms the basis of what is beautiful as far as humans are concerned, not what
people opine is beautiful.
Of course they are. You're talking about studies based on statistically average tastes. The measure of subjectiveness can never be found on a statistical average of sample counts (ergo popularity). This is true by definition, unless the variance is zero. Which it is not.
You are the one pushing for a zero-variance system: everyone's opinion is equally well informed,
equally valid, equally important, equally qualified and so forth. Infants have no vested interests.
They are unencumbered with social pressures to evaluate something in a certain way. They
have no interest in popularity.
Just like any other organism, there is going to be variance in all things. Some will run faster,
some will solve problems easier, some will have larger appetites. We've evolved to like
sweet things and dislike sour things. Some babies will like sour things to sweet things. It's
just the variance of genes and nature. Those babies are abnormal, plain and simple.
Similarly, sure one or two infants are going to look at some ugly person and stare longer than
at a pretty one. They're abnormal, too. This doesn't make them evil, or bad, or stupid or
anything.
I know the term abnormal makes people uncomfortable. Nobody likes the idea of being 'abnormal.'
Abnormal generally has a pejorative connotation. This is what relates this phenomenon of
'everything is art' to political correctness I mentioned earlier. People aren't handicapped anymore,
they're 'handicapable.' People aren't blind, they're 'visually impaired.' And now people aren't
incompetent in art, they're just 'differently opinioned.'
I think that's just BS. People aren't 'differently visioned;' some have good eyesight, some have
poor eyesight, some have superior eyesight and some can't see at all. Some are good runners,
some are bad runners, some can't run at all. Some have good artistic capacities, some don't;
some can keep tempo with no difficulty, some can learn to keep tempo, and some simply can't
keep tempo because they stink at music.
But you're citing studies of (self-claimed) a priori tastes which are purely based on statistical averages! It's insane that you cannot see the contradictions in these statements of yours.
What's the contradiction? Some people show a greater or weaker aptitude for math, or judging
the passing of time. Are they differently mathematical, or are their biological clock mechanisms
differently calibrated? No, some people are lousy at math. Some people simply have weak
sensitivity to their circadian rhythms. We use statistical models to evaluate those. Do we
believe that it's just opinion? Of course not.
I might be misunderstanding what you think is the contradiction, though...
But the thing is that you can find that on this planet, Nemesio. Music without tempo, dynamics or right notes that is considered to be artistic by many. Only a narrow view of what art is (and more importantly a view of what art should be) would prevent someone from realizing this.
Haydn without tempo, dynamics or right notes is bad Haydn, not 'different' Haydn. That
you can maintain that the first performance is just 'different' borders on insane, I think.
Wrong. Above was also subjective, but its evidently clear that the interpretations of the composition are meant to be interpreted by a very similar, if not equal, standard especially because they approach the original piece in a classical way. Do you challenge that?
Your artistic framework challenges it, not mine! The question is: Clear to whom? The
'subjective' tastes of the audience, that's who. In your model, there is no such thing as a lousy
performance, because taste is subjective. Any judgment we might cast on the first performer
is steeped in our subjectivity -- What is a 'right' tempo? What are the 'right' dynamics? Indeed,
what is a right 'note?' -- consequently, it remains our opinion, in your view, that is.
My point is that an electronic remix of that song would not be comparable, because the standards of evaluation are different. And why would one standard be better than the other one?
An electronic remix may or may not be better or worse; it's hard to talk in hypotheticals.
However, if I were to record myself playing that piece, edit it with my audio programs to
add jingle bell every time I played a 'C' and a doorbell every time I played a 'G,' can we say
who is more creative, me or Haydn? I hope we can say that Haydn was.
I never claimed that within a given standard comparisons were meaningless. Almost the opposite. I claimed that ONLY within a given standard they were meaningful. But such standards are not comparible within themselves in the absence of a meta-standard that does not exist.
Are we talking about a meta-standard that exists across the universe? I already agreed no
such standard exists, and explained why I agree with that. If we're talking about a meta-
standard for humans, then yes, I do think it exists, although it's elusive, no doubt. And I think
that individual humans are going to have a greater or lesser sensitivity to that standard than
others, which is why we have very few Mozarts, Shakespeares, Newtons, and Michaelangelos.
Nemesio