Originally posted by Starrman
Okay, so perhaps rather than aesthetic poles, we should look at (I'm really not sure how to phrase this) something like 'effort'? Is culture that is easy to come by, to produce or appreciate somehow lesser and likewise, is that which is very hard to come by, produce or appreciate somehow better?
I guess what I'm trying to get at is, irrespective of t ...[text shortened]... etter or worse.
Is there anything we can say which is not anchored to aesthetics alone?
"Effort to appreciate" sounds promising, but I think it should be weakened a little. A lot of aesthetic stuff I find really spiffy can be appreciated in some way with no effort, and in another way with lots.
There's very good stuff which gives diminishing returns appreciationwise as the effort increases (I'd put Quentin Tarantino and The Beatles in this category, for instance), and it's possible for this stuff to have popular appeal.
If we take "elite" to refer to the (small) group of people who like to put lots of effort into appreciating some type of thing, then art in the above category isn't likely to have additional elite appeal (elitists may like it, but in liking it they are not functioning as elitists).
This way of looking at things isn't completely independent of aesthetics though, for at least two reasons. First, the fact that something takes a lot of effort to fully appreciate can colour our aesthetic judgment of it one way or the other, depending on whether we find that sort of effort pleasant. Second, stuff that takes a lot of effort to appreciate tends to take a lot of effort to make (the converse does not hold: your Mozart example illustrates this, because Mozart is quite easy to appreciate), and stuff whose production took lots of effort tends to be better than stuff that didn't on a lot of aesthetic scales.
EDIT As usual, scherzo is a joke. There's plenty of "bourgeois" music which exhibits no artistic ability, and something being solely "popular" is not equivalent to it being the product of no ability.