06 Jun '08 15:09>
From Morton Feldman:
This is a true story, I was a student, just finishing up with Stefan Wolpe. Stefan was a Proletariat twelve-tone composer, there was a hell of a lot of them, and at one time. And I think that he was the best. He would talk about his music as gutter music, he would talk about, the one time he talked about the man in the street, and he was bawling me out, here I was twenty-two, twenty-three years old, and he was telling me the music is too esoteric, just too esoteric. And he's talking about the man in the street, and I was just meeting the artists in Greenwich Village. I was looking out, my eyes were better that time, it was Fourteenth Street and Sixth Avenue, and there was Jackson Pollock walking across the street. And that's my only defence about the man in the street.
This is a true story, I was a student, just finishing up with Stefan Wolpe. Stefan was a Proletariat twelve-tone composer, there was a hell of a lot of them, and at one time. And I think that he was the best. He would talk about his music as gutter music, he would talk about, the one time he talked about the man in the street, and he was bawling me out, here I was twenty-two, twenty-three years old, and he was telling me the music is too esoteric, just too esoteric. And he's talking about the man in the street, and I was just meeting the artists in Greenwich Village. I was looking out, my eyes were better that time, it was Fourteenth Street and Sixth Avenue, and there was Jackson Pollock walking across the street. And that's my only defence about the man in the street.