Originally posted by rbmorrisCes mecs relancer cul!
Anyone heard of these guys? Excellent!
http://zappinternet.com/video/mifTmuTwaM/C2C-Coup2Cross-DMC-2005
Here's their page on their record label's site: http://www.onandon-records.com/c2c-records.php
Damn thing's written all fancy Frenchie like, so I can't read it. 🙁
edit:
http://www.timeforchess.com/board/showthread.php?threadid=16444&page=238
I guess I was chatting in game with Palynka about them.
Originally posted by rbmorris😉
eleven1 😀
I used FF translate on your first post's link:
Third in date of the series and ultimate tool since it is this station-wagon which was used for the show of C2C at the time of the championships of the world DMC 2003 and which allowed them (in addition to their talent!) to gain their first world title. This station-wagon as well as the precedents for summer have used in all the international competitions by of Djs of the four corners of the world, attest of them the many visible labels "Flyin' Saucer" in all vidéos ITF, DMC... FACE A Shake ya Butt 2:09 Instru mid-tempo well swing. Music from hyperspace 1:00 Beach of sounds to scratcher varied with many sounds of instruments. Little funky beat 3:03 Beat down-tempo. A.F.S track (anti flacat system) 1:01 Beach of various sounds containing a part turning out of skip proof. S.P 01 (skillz proof) 1:01 Skip proof with 2 traditional sounds (aaah, oooh, yeaah) Picardy track 1:47 Large bank of sounds, in particular used for the show of C2 to the championships of world DMC 2003. S.P 02 0:48 Loop Celebrate... S.P 03 (HH Bass loop) 1:01 Large line of low electro buckled FACE B Saturn Boxing rings (A.F.S) 13:00 Series of batteries functioning out of skip proof, one can thus pass from the one to the other with the cell by keeping the rate/rhythm. The first beach is a sequence of several beat long of a turn each one, before last beach is made up of a fishing of electric guitar and traditional sound: aaah. Second breakbeat of C2C, with an orientation more "scratch" that directly "hip hop" on the level of the beats in comparison to the first volume. Indeed 20Syl is tested here with more modern batteries and more in phase with waitings of the scene turntablist. For the remainder, scratchs tracks always such effective with original sounds as well as many beaches skip proof for training and the continuation of the innovations "house", beaches of stéréophonium syndrom. FACE A Shuffle station-wagons (85 bpm) traditional Instru for sessions well swing. S.T.X station-wagons (80 bpm) a quite conceited beat with aggressive fishings. U.H.A.H-s.p Beach skip proof (which does not jump) with most traditional of all the sounds (aaaah) and a new sound, ideal for scratch-training. Hyper space station-wagons (133 bpm) Instru magnet turning out of skip proof. Stereo s.p-1.0; 2.0; 3.0 Sequence of 3 skip stereo proof, the 1 era is made up of percussions, each side (right or left) is differently made up, the 2 2nd is made up of sounds varied and rythmés which are different according to the selected side, finally the 3 2nd is made up of a beat with 133 bpm on a side and 66 bpm of the other and is finished in closed furrow what is practical for the scratch training. FACE B Fayah (105 bpm) Instru quite fast with fishings electric Rhodos-guitar in stereophony. Scratching invasion Beach of sounds and voice with scratcher. Hypnotic beat (80bpm) Beat with percussions, not too charged and pleasant for the sessions scratch. Wild style battle track Beach with sequence of sounds and batteries, ideal for the construction of routines, passages out of skip proof. X-ray beat (80beat) rebounded Beat composed of electronic sounds. Get down s.p 2nd skip proof for the scratch training. Stereophonium syndrom V.2.0: Still an innovation Blows 2 Cross-country races, a charley turns in loop on a side and other side a loop made up of clear cases mixed with large cases. It is thus possible to reconstitute a battery and to create rates/rhythms varied while playing with the balance and the equalisation of the table of mixing. The first breakbeat produces by C2C at the time of the launching of the label! The beats present each characteristic: you will be able to find a instru in three times there, a fast beat, a instru which evolves/moves of a beat hip hop with a beat worked while passing by a beat jungle... rien that good cases and good loops passed between the hands of the producer 20Syl. The "Turntablists" will find an innovation there: "Stéréophonium Syndrom": a new technique of drumming which makes it possible to make a complete beat (gross case, clear case, charley) without touching with the disc by using either stereophony or the equalisation. FACE A Unidentified flyin' strumental Instru with a moderate tempo. B.W.break a quite conceited and slow enough beat for good sessions scratchs. Zone 51 Beach scratch mixing new sounds (voice, instruments...) large cases and clear cases in a rythmée way. Rhodos Instru trip which alternates between a beat simple heavy good and a melody of Rhodos. Fresh invaders Beach intended mainly for the scratch with alternate sounds of voice and instruments to work out or vary the routines of scratchs. 3rd Standard ternary Instru station-wagons calculated out of skip-proof, i.e. which if the instru change on a clear case, diamond will fall down inevitably on another clear case, it is thus possible to make station-wagons while raising the cell and full with other possibilities, with you to seek! Scratch the aliens Beach of scratch skip-proof (never jumps) with three traditional sounds (freeeshh, tshhhhh, aaaaah) practical for training or the perilous sessions scratch. Bass washin' low of moog put in loop at the end of face A. FACE B Little greenmen Beat station-wagons well speed with guitars which comprises slower passages to the tempo 2x. 30 seconds before you die Still a beach with sounds new and rythmés with inter alia a sequence calculated for the ternary one or a clear foot-case and an open charley in stereophony. 4th millenium station-wagons the phase of introduction (damn it' S fresh come one huh yeah C it) étée calculated in stereo. The beat which follows is primarily made up of a low gross and passes from a rate/rhythm hip-hop to a rate/rhythm drum&bass to finish in worked. Music from outter space musical Beach with in intro two sounds traditional (aaaaah and tshhhhh) in stereophony, choose your side! And for what always seeks a "freeeshh" during 2h, go to the end of the beach to go more quickly. Rocket jugglin': Special sequence of 8 instrus beat jugglin', with fishings, voices and changes of notes in all the directions. Stereophonium syndrom: It is here that all the innovation resides which this station-wagon-beat brings, first of all a frequency in stereophony with side a sound of low and other a sound of hammond (with the superduperduck), then arrives a furrow closed with side a charley in continuous repetition and other the same thing but with a clear case. The following beach is another low-hamon note of the mixture, then another furrow closed with the same technique as for the precedent but with a sound of large case on a side and a sound of charley of the other, finally always the same thing but with a groose case and a clear case. The interest is to be able to make a beat without touching with the disc, indeed it is possible to take furrow GC-CC and to make a beat while playing with the cross-country race-fader and the potar of stereophony (side), one can for example have fun to make a beat techno with furrow GC-CH. It is also possible to make a complete beat without touching with stereophony but with the equalisation: the low registers and the media are at least for the charley, then one pushes the low registers for the large case and the media for the clear cases. (For better including/understanding look at the passage of video C2C it of the Championships of France DMC 2001, 20syl (on the left) in the last part of the show makes a beat with this system).
Originally posted by rbmorrisThe DMC ones are short mp3's the others RAM like you say, I've taken down a few and might find time to grab more on Sun.
Excellent! Listening right now.
Looks like they're RAM (Real Audio) files. I think I have a prog that will allow me to grab them off the site. I'll let you know if I have any luck.
'til then - Chillax and have a good'un with C2C in the house!