06 Jan '10 20:49>2 edits
once again, it is time for another season - most likely featuring the same collection of people vying for the honor of getting to record an album of totally forgettable glop written by people like Kara Dioguardi.
I propose we shake things up a bit. The opening "gong show" weeks always produce a number of interesting performers who show a great deal of imagination - but they don't even make it to Hollywood because they're just too weird or too raw.
I've always wondered what would happen if we selected 12 of the most "interesting" people not to get a golden ticket. People that might sound absolutely hideous right now, but underneath have potential for greatness. These people would then spend a year with the best teachers in the music business and we could watch each week to see how they're progressing.
The goal would NOT be to find the next "American Idol". Who cares about that anyway?. The goal would be to develop people who would be as likely as possible to break through all the "sacred" formulas that seem to currently rule all genres of today's popular music. To create the next Elvis - the next Beatles - the next Johnny Cash - the next Sex Pistols - the next Nirvana. And to give them the platform they'd need to be something more than a critically acclaimed obscurity.
I propose we shake things up a bit. The opening "gong show" weeks always produce a number of interesting performers who show a great deal of imagination - but they don't even make it to Hollywood because they're just too weird or too raw.
I've always wondered what would happen if we selected 12 of the most "interesting" people not to get a golden ticket. People that might sound absolutely hideous right now, but underneath have potential for greatness. These people would then spend a year with the best teachers in the music business and we could watch each week to see how they're progressing.
The goal would NOT be to find the next "American Idol". Who cares about that anyway?. The goal would be to develop people who would be as likely as possible to break through all the "sacred" formulas that seem to currently rule all genres of today's popular music. To create the next Elvis - the next Beatles - the next Johnny Cash - the next Sex Pistols - the next Nirvana. And to give them the platform they'd need to be something more than a critically acclaimed obscurity.