Originally posted by Teinosuke
The mistake is that Fra Diavolo is by Auber, not Meyerbeer.
I don't know Harold in Italy - I'm less devoted to orchestral music than the opera. But I'll look into it!
I've got a Magic Flute and a Cosi fan Tutte coming up in London and Oxford over the next few weeks - and the rarer chance to see Martinu's Julietta too. Then we have a real Meyerbeer, R ...[text shortened]... aging all three of them next year - I am seriously thinking about flying over for them!
And you are correct. I always twist the two operas in my mind! I love Auber, but also Meyerbeer.
I saw La Incoronazzione di Poppea in the early nineties. It was a wonderful production despite it depicting a tall, muscular, brawny Nero when in reality he was pudgy, redheaded and squatty. Poppea was as beautiful as billed!
You would enjoy Harold in Italy, a most unusual and remarkable work. Me, I like all sorts of classical ranging from piano sonatas, small ensembles like duets, trios, quartets, lieder, chamber music, choral music. I am especially fond of oratorios and sacred music like masses, Stabat Mater, Te Deum, motets, Requiems, Allegri's Miserere. Some of Verdi's best is contained within his massive requiem for Manzoni. Haydn's Creation contains some of the most gorgeous and imaginative arias one could ever hear. Bach's Mass in B Minor is quite possibly one of history's greatest works.