Originally posted by scacchipazzo
I had never heard of Berwald until now, but I'd love to hear this Estrella de Soria!
A friend of mine is a great lover of classical music, but his preference is much more for instrumental music rather than opera. Years ago I remarked to him that while Norway, Denmark and Finland could each boast one internationally acclaimed composer in Grieg, Nielsen and Sibelius, there was no comparable figure in Sweden. He pointed to Berwald, whose music, he said, he personally preferred to Grieg's. Because of my recent visit to Stockholm to see Un Ballo in Maschera, I started wondering if there was any Swedish-language opera of note, and Berwald's name came to mind again. I asked my friend for some more information about his work, and he wrote to me as follows:
"I became obsessed by the music of this Swedish composer quite early on: a review of a 1968 re-release on a single budget-price LP of recordings of two of his symphonies (that had previously been on two different discs, each coupled with an early Schubert work in the same genre) made them sound worth a listen. I gave them a listen, and instantly fell in love with the Sinfonie Singuliere. I snapped up a copy of the reissue and have ever since delighted in playing the slow movement of the Singuliere to people who (a) cannot imagine who the composer might be, and (b) almost invariably fall in love with it too!
Back in the 60s and 70s recordings of his works were very rare; and live performances in London all but non-existent (alas, that is still so). With the arrival of the CD format, the record situation improved dramatically, and I now have multiple alternative versions of the symphonies, and at least two or three performances each of all his concertos, tone poems and important chamber music pieces."