Originally posted by Starrman
I think the interesting point of your first section is [b]'Likely my appreciation would be enhanced if I were.'. Whilst I agree that there is a great level of appreciation that comes from just experiencing the beauty of something as it presents to you, it has been my experience thus far in life that by disecting that experience and attempting to underst ...[text shortened]... t classifications and extensions of ideas, perhaps we talk in some way of the same thing?[/b]
Though we have different classifications and extensions of ideas, perhaps we talk in some way of the same thing?
This seems likely to me, across the board. 🙂
Whilst I agree that there is a great level of appreciation that comes from just experiencing the beauty of something as it presents to you, it has been my experience thus far in life that by dissecting that experience and attempting to understand the reasons for its beauty future experiences are enhanced.
I don’t think we’re disagreeing at all, here—although some people have far more analytical minds than others. An artist, for example, may listen to a scholar or an art critic explaining why a certain painting “works,” and say, “Hmmm. You know, I never thought of that....” I read that one of the ways they test a claimed Jackson Pollock painting to see if its authentic or a forgery, is that Pollock actually painted fractals! I don’t think he knew that, it’s just how is mind and his vision worked.... This is not to say that an artist does not also know technique, of course; that’s not what I’m saying. It’s just that, while I know the difference between an iamb and a trochee and a dactyl and an anapest, in terms of poetic meter, it is not knowing them that “enthuses” me—it is hearing the poem.
I’m not expressing this well. Your point about balance is well-taken—we each, according to our tastes and dispositions balance things differently as we attempt to live a
eudaimonic life. It also has to do, I think, with our individual talents. Music is the single most moving art-form for me, the one to which I seem most emotionally vulnerable. I think that may be partly due to the lack of symbols for my conceptual side to hook onto (I know this is not strictly accurate, but—metaphorically—it seems to affect my “right brain,” with little input from my “left brain.” ) Nevertheless, the area where I choose to express myself “artistically” is via language in poetry. Language is the area where I spend the most time dissecting and understanding.
walking directionless in a land yields much experience, but little focus or contextual enlightenment, whilst just staring at a map yields no experience, but you at least know where you might stand.
Doubtless; and yet the first maps are composed by those who first ventured into the territory mapless. For me, the point is to experience the territory in a manner unmediated by thoughts, concepts about it, preconceptions, etc. I certainly have used the maps others have made; but then I have to put the map down.
Over the course of my life, I have realized that I have acquired such an abundance of conceptual veils, through which I tend to view the world immediately before me ( and myself in it)—like looking through various colored glasses—that the discipline is to try to remove those lenses. Later, I may choose to look through whichever ones—or new ones—as I think they are helpful. Years of habituation, however, can lead one—me—to be unaware that I am looking through certain lenses, opinions, preconceptions.
For me, the “spiritual” quest is not to find the correct lens (e.g., the one true philosophy or religion), but to be able to dispense with them as I please, and wear various ones as I please.
whilst I hope I'm right in saying that you believe there is some underlying essence which also does.
I’m not sure that I do believe that. What I might call essence would likely be simply all the energy fluctuations, their interrelationships, their nature and the nature of the whole reality they comprise. (See my above response to No.1, where I tried to say how my view might be somewhat different from mainstream Advaita Vedanta.) Within the totality, the energy fluctuation, form, pattern that represents my existence is transient and will pass away—dispersed, as it were, into the totality from which and in which it arose, and of which it is. Perhaps all I might call essence is my consciousness (not separate from its neuro-physiological underpinnings: not a ghost in the machine); part of how that consciousness functions is what I call thinking-mind, another function (or complex of functions) I might call perceiving-mind, and so on. One can no more separate the functions from the consciousness that one can separate the gulfstream from the ocean, or vice versa. That is what I mean by non-duality. That essential consciousness is what the Buddhists call Buddha-nature.
Suddenly, I think you are right, and that our different ways of looking at experience versus thinking about experience—are really on different on the surface. Thinking, studying and exploring are part of the experience of life. There is really no real separation there either. It’s just a matter of being aware...
A student once complained to Shunryu Suzuki roshi that he couldn’t seem to stop his thinking mind during meditation. Suzuki responded: “So— Do you have a problem with thinking?” Nakagawa Soen roshi once said: “There really isn’t any such thing as ‘empty-mind.’ There is just present-mind.” (Those sayings are “maps.” )
Thanks for responding, Starrman. This has been a helpful discussion—as I keep working to try to clarify my own thinking, map-making. 🙂