30 Aug '11 00:56>
It is delightful when one encounters a new and deeply interesting aspect of something common. I have just encountered the following, although I was aquainted with additive and substractive aspects of color, which I was exploring at the time.
As I read this I began to see alignments with some metaphysical abstractions, particularly, but not only, in relation to the varieties of inner perceptions and experiencing of the "colors" of varying philosophies, religions and spiritual understandings.
I will refrain from expanding too much at present, (there is actually a lot of "connections I see), but wondering if anyone else sees something here and would care to reflect on?
One point for me that arises is the nature of the "real" mentioned in the final quoted statement. It apparently means the "actual" colors we use. But there is also a whole discussion in metaphysical philosophy as what is 'real'. I ask myself which are the 'real' primary colors? The ones that produce the limited set or the unseen ones that produce all derivative colors?
Fascinating.
>>>
"Many historical "color theorists" have assumed that three "pure" primary colors can mix all possible colors, and that any failure of specific paints or inks to match this ideal performance is due to the impurity or imperfection of the colorants.
In reality, only imaginary "primary colors" used in colorimetry can "mix" or quantify all visible (perceptually possible) colors; but to do this, these imaginary primaries are defined as lying outside the range of visible colors; i.e., they cannot be seen.
Any three real "primary" colors of light, paint or ink can mix only a limited range of colors, called a gamut, which is always smaller (contains fewer colors) than the full range of colors humans can perceive."
Source: http://en.wikipedia.org/wiki/Color_theory
(Paragraphing inserted)
As I read this I began to see alignments with some metaphysical abstractions, particularly, but not only, in relation to the varieties of inner perceptions and experiencing of the "colors" of varying philosophies, religions and spiritual understandings.
I will refrain from expanding too much at present, (there is actually a lot of "connections I see), but wondering if anyone else sees something here and would care to reflect on?
One point for me that arises is the nature of the "real" mentioned in the final quoted statement. It apparently means the "actual" colors we use. But there is also a whole discussion in metaphysical philosophy as what is 'real'. I ask myself which are the 'real' primary colors? The ones that produce the limited set or the unseen ones that produce all derivative colors?
Fascinating.
>>>
"Many historical "color theorists" have assumed that three "pure" primary colors can mix all possible colors, and that any failure of specific paints or inks to match this ideal performance is due to the impurity or imperfection of the colorants.
In reality, only imaginary "primary colors" used in colorimetry can "mix" or quantify all visible (perceptually possible) colors; but to do this, these imaginary primaries are defined as lying outside the range of visible colors; i.e., they cannot be seen.
Any three real "primary" colors of light, paint or ink can mix only a limited range of colors, called a gamut, which is always smaller (contains fewer colors) than the full range of colors humans can perceive."
Source: http://en.wikipedia.org/wiki/Color_theory
(Paragraphing inserted)