Originally posted by KellyJay
I'm pointing out to you that your having read someone's books of fiction does not qualify you in saying what is and is not true in scripture.
My comment regarding Crichton and the extent to which Revelation reminds me of his novels has to do with its narrative structure.
If you've read Crichton, you'll know that he likes to build up suspense, but at the end the payoff is for jack. In
The Andromeda Strain, a virus that threatened to wipe out humanity spontaneously mutates into a harmless form. In
Contact, humans received instructions from outer space that they use to build this massive contraption that they think is a spaceship. They turn it on, and the main characters end up meeting aliens, but are told "you guys are still morons as a species, so go back home for another few eons." This would be huge news at home, but they get returned to earth at the precise moment they left, and to outsiders it looks like they never left. The general public doesn't believe they met anybody, and life goes on as usual.
In short, Crichton uses what seem like unfair narrative techniques to neatly tie up all the chaos he unleashes in the narrative. After you read a couple, you know he's going to do it in his next book, too. Consequently, you learn to read Crichton with a certain detachment.
By comparison, 1st-century readers (by which I mean those to whom the letter was read, since most people couldn't read themselves at that time) would understand that Revelation as a letter in the apocalyptic vein. They would expect it to contain all kinds of violent, disturbing imagery, but also to end with a reaffirmation of God's being in full control of the situation. They wouldn't expect it to end with God losing. In fact, the crazier the imagery, the greater the proof of God's power, because of his ability to fix the whole mess at the end.
You tell me: what do I need in order to be qualified to read two kinds of literature and compare their narrative structures?