Originally posted by scacchipazzo
Indeed a great work. Yet nowhere near your namesake's magnus opus: Poem of Ecstasy. Quite a remarkable composer. I go back and forth between eras. The repertoire is so vast. One work at a time. Sometimes one style at a time. Sometimes one specific setting. Partial to sacred music. I like the Stabat Mater as set to music by various composers. Also love o equiem a try. None of the other French composers influenced music at large as much as Berlioz.
I am indeed fond of the Poem of Ecstasy -- in my youth I used it to seduce coeds.
As for requiems, my favorite is that of Faure. I'm also very partial to Peleas and Melisande and various chamber works. I'm also fond of Cesar Franck.
I found myself wishing today more music had been written in the style of Ravel and Debussy. I very much sympathize with the fatigue over conventional, romantic, tonal music early in the 1900s -- but I think classical music took off in an unfortunate direction, leaving the stage, as it were, for other types of music.
Now, I find it difficult to listen to a lot of what I feel is baroque hackwork -- as well as a lot of other 19th music where composers simply emulated one another and within their own oeuvre merely produced variations on the same basic piece of music, like Rossini overtures.
The tonal aspects of music is not what bothers me. It is the tired old forms that like corsets constrain too many compositions into same sounding, boring tripe.
Scriabin's music was not of consistent quality, but it was not boring. He was an unbalanced man, exactly the sort who can produce amazing breakthroughs of creativity while at the same time being rather out to lunch.
Wagner is another example. His shows rival any popular entertainment today and tapped into the mythological heart of the zeitgeist using very original, if well over the top, musical ideas. Yet he, too, was a detestable nutcase, always in debt, irresponsible, faithless, egotistical and, well, a lot more in that vein. No matter -- he wrote some great tunes and one can separate the man from his work.
All in all, however, I confess that I prefer the music of Brahms.