04 Sep '15 22:13>2 edits
Originally posted by checkbaiterI have no problem with figures of speech in the Bible—or metaphor or myth, for that matter. As you note (and I think I mentioned somewhere) we use similar figures of speech today.
There are many who claim just that. The sun revolves around the earth that is....
I know the opposite is true, but the bible does not explicitly say the sun revolves around the earth.
from Wiki....
1. This argument opens the accuracy of the Bible up to question just as much as it questions modern astronomy and physics. To those who hold reason ...[text shortened]... t why is making a day longer any harder for God than parting the Red Sea, or creating the earth?
The question is really twofold: Biblical literalism, per se (stopping the sun in the sky); and the nature of Biblical inspiration. If the Biblical texts represent the “words” of God, rather than humans interpreting the logos of God—the former a position that I reject—then God is clearly not concerned with presenting truth about the physical universe. And that means that, either way, we are inescapably left with pretty large scale questions of interpretation.
I don’t have a problem with that. Take the following line from one of my favorite poets, Dylan Thomas:
“The force that through the green fuse drives the flower, drives my green age . . .”.
Now, think of the various hermeneutical approaches represented here on RHP. The following, I think, are apt analogies:
1. “Dylan Literalists”: The stem of flowers is in fact a kind of fuse, through which there is a force that drives the opening of flowers; and Dylan’s age is somehow really “green”.
2. “Dylan Literalists/Rejectionists”: That is precisely what Dylan meant, and his knowledge of botany is laughably delusional. Therefore his writing can be reasonably dismissed. (Though some might grant it “entertainment value”. )
3. “Poetic Interpreters”: Dylan is obviously speaking metaphorically or symbolically, and is subject to literary-critical methods of analysis that may yield numerous possibilities of meaning. Further, the “elicitive speech” of such lyrical poetry is meant to arouse multiple possibilities of personal existential meaning.
I am in the third camp. I am in that camp, not only with regard to poetry, but to myth and parable, and story generally. I am quite willing to argue for the cogency of my particular interpretations (including contextuality distributed across the entire Biblical corpus). But—hopefully—that approach keeps me from being dogmatic. It keeps me from the temptation to relinquishing my own moral sensibilities—and, as a matter of fact, from any need to “defend” God in the face of Biblical texts that, to me, clearly attribute to God immoral and ugly dispositions.
One of the things that I learned in my years of Judaic studies was how radical (and, I think, correct) is the Jewish position on idolatry—which includes “graven images of the mind” (my words—that is, dogmatic belief requirements) even more than any physically “graven images”. In a Christic context, what stands against such idolatry is—quite frankly, if a bit simplistically as I put it here—grace (charis). And that—with all due respect and acknowledgement of Rajk’s critique of OSAS Christianity—is where I stand.