Originally posted by Palynka
No, really, that stuff about Ares and Athena was a bit too close to fascism for my tastes. The Greeks may not be the Romans, but the nod towards the classical imagery only made it worse.
That's kind of a weird thing to get out of that passage. Via Enoch Root, Stephenson advocates an Athenian over a Martian approach -- this yields, in his example, the victory of an "Athenian" system over a Martian one in WWII as a corollary, but I don't recall* that bit saying that
metis is necessarily derived from wars, or that we should organise ourselves around a martial goal of some sort for the sake of technological innovation. I thought the main drift of that part was that technology is sort of a special case of art ("goddess of effing macrame" or however it goes), and that the sort of society which allows the personal freedom needed for good art tends to have better technology, and that such societies can thus outcompete societies which are explicitly structured around violent competition. WWII, and especially some of the aspects of the war that show up in "Cryptonomicon", bears this out. I read that passage as
anti-fascist. I'm not sure if Enoch Root is really a nigh-fascist character, since the other books which feature him are one big swirling bore-tex of TL;DR.
That said, Stephenson's "politics" as revealed by "Cryptonomicon" aren't exactly to my taste either, but there's a lot to sympathise with, e.g. Goto Dengo's speech to Randy and Avi over gold-dusted coffee.
*I gave my copy to someone a while ago and so can't verify this.